![]() Due to the poems strange rhyme scheme (5-9), it is not categorized into the usual Italian (8-6) or Shakespearean Sonnet (4-4-4-2) categories. ![]() Shelley also speaks of nothing beside the statue, only the lone and level sands that stretch far away-allowing for the interpretation that all Greats fall and that their feats are swallowed by time. Ozymandias is a sonnet with the rhyme scheme ABABA-CDCEDEFEF and is written in iambic-pentameter. Shelley speaks of the sculptor that captured the life of Ozymandias in stone-allowing for interpretation that it is the artist and his or her work that have the final laugh, or sneer, even if it is done in cold, hard stone. The Greatness in Shelley’s “Ozymandias” lies in its ambiguity as to how it should be digested. Shelley writes of the same broken statue paying testimony to the once-Great Ozymandias but does not offer insight as to how this should be interpreted. What is the rhyme scheme of Ozymandias Shelleys 'Ozymandias': 'Ozymandias' is a poem written in 1818 by English Romantic poet Percy Bysshe Shelley. Formal elements aside, Shelley’s content in the Ozymandias poem is much more complex than Smith’s reading. In the first line, “I met a traveller from an antique land/who said…” the word “land” has to be immediately followed by “who said”, making the reading somewhat awkward compared to Smith’s. When these two vivid descriptions contrast, the visual imagery, through this juxtaposition, actually buttresses situational irony. The reading is somewhat harsher than Smith’s with words at the end of verses having to be read with the following line to not lose tempo. The rhyme scheme is somewhat unusual for a sonnet of this era it does not fit a conventional Petrarchan pattern, but instead interlinks the octave (a term for. Shelley’s poem follows a rhyme scheme of ababacdc edefef which is only similar to the Shakespearean sonnet’s rhyme scheme of abab cdcd efef gg in the first and final four lines. Although it is neither a Petrarchan sonnet nor a Shakespearean sonnet, the rhyming scheme and style resemble a Petrarchan sonnet more, particularly with its 8-6.
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